Jesse is fifteen. She loves her friends, her little brother and her parents, even when they’re arguing, which feels constant these days. But most of all, she loves playing video games. Even from her hospital bed.
Alex is twenty-nine. He doesn't love a lot of things and isn’t really sure he knows how to. A virtual reality games designer, his work desk is empty except for his computer, much like his life sometimes feels.
Then Jesse makes a wish. A simple one: a video experience made of her life, something to be there, just in case she isn’t.
One loving teenager.
One lonely adult.
Which one will get the happy ending?
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Heather Morris is a native of New Zealand, now resident in Australia. For several years, while working in a large public hospital in Melbourne, she studied and wrote screenplays, one of which was optioned by an Academy Award-winning screenwriter in the US. In 2003, Heather was introduced to an elderly gentleman who ‘might just have a story worth telling’. The day she met Lale Sokolov changed both their lives. Their friendship grew and Lale embarked on a journey of self-scrutiny, entrusting the innermost details of his life during the Holocaust to her. Heather originally wrote Lale’s story as a screenplay – which ranked high in international competitions – before reshaping it into her debut novel, The Tattooist of Auschwitz.
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